How To Scrimshaw-Excerpt from “Scrimshaw? But I Can’t Draw!”

Don’t Know Where to Start?


Scrimshaw? But I Can't Draw! Cover
For a limited time, we are including an excerpt from Chapter 5 of “Scrimshaw? But I Can’t Draw!” so you can start learning how to scrimshaw on any hard surface, including mammoth ivory, corian, acrylic – even a light switch cover!

——-

Scrimshaw of a Whale's tale breaking the surface of the water

You are going to learn one of several ways to transfer your artwork to your ivory or material of choice:

 

First things first:

  • You need your materials and your tools, including your scribe, a bright light, and some type of magnification
  • You need your ink or oil paint and rags
  • You need your eye protection and your dust mask (if you’re sanding down anything)
  • You need your Bees Wax or Renaissance Wax
  • You need your computer (or a copier that can reduce your picture/project of choice
  • And, Scotch tape

 

The first thing you will want to do is measure the piece you’re going to scribe, then create an image about ⅛” smaller all around, using your computer and a laser printer or an inkjet printer.  Many copiers will shrink images as well.  You won’t want your image to reach the edge, though you can get close.  If you are working with an oval, use your computer to draw an oval around the piece as well, so you will know that it is centered.

 

Right-Click on the image and select “Copy Link Address”. Open a new window and paste the link to get this image, then save the image to your computer so you can open it in your graphics program.

With this technique you will be copying the old whaleman’s way of creating scrimshaw. .

whale tale with image greyed out
Photo Credit: Jesse Wagstaff http://www.flickr.com/photos/jesse/3408218295/  Creative Commons Licence as of 2012 Used by permission

 

Cut out a copy of the image you wish to scrimshaw and leave ½” to 1” on all of the sides.  Carefully secure your material to your work surface, then secure the print over the top of your material, taping it so it will not shift as you move your work surface.  Be sure your work is aligned properly!

 

 

 

 

 

 

 

Scrimshaw of Williamsburg Congregational Church slightly off center

  I worked on a piece in 2010 for the Williamsburg Congregational Church’s annual craft fair, and once I’d finished the main work, found that I was about ten degrees off, as shown on the picture above. Looks like it’s going down a hill!  I kept this old one as a reminder to myself (shown at the beginning of the chapter), re-scrimshawed the church on a new piece of ivory after aligning the work properly. They raffled it off, and it drew quite a bit of interest.

 

Press the point in as vertically as possible.  This will create the most consistent dot, an angled dot’s ink will wipe out of the indentation more or less, depending on the angle and the angle you wipe away the excess with, where a vertical dot will remain consistent.

Piercing the paper through to the material below

You will want to pierce the paper only along the prominent lines. This will be your “dot-to-dot” for creating your piece.  Here, The whale fluke from the previous chapter has been outlined and the actual picture faded using GIMP 2.6 (similar to PhotoShop).

 

Pierce along the lines about every 1/32″ (or 1mm) so you can visualize the fluke easily.  You may want to add the horizon line as well.

Now that you have finished creating the dots, remove the paper and inspect it under a bright light.  You should be able to see the indentations and see where you are going to scribe your lines.  Using a Q-Tip or a small brush, coat the ivory with ink or black oil paint and quickly wipe it off with a soft cloth (tissue may actually scratch it or leave lint, so the old t-shirt your spouse has been complaining about would be perfect!).  The dots should be visible enough that you can now place it under your magnification and begin carefully scribing the lines.

Inspecting the "stipple-dots"

 

Here, you are lightly scribing from one dot to the next.  Scribe enough so you can see the line when you wipe ink or oil paint onto it, then right off again (I am using oil paint, my preference changed to oil paint after an interview with Bob Hergert).

Scrimshaw from dot-to-dot in progress

 

Once you have finished scribing the lines, take a break, take a picture of it!  Thanks to digital cameras, you can document your work every step of the way.

 

Tip – if you are “checking your work” by repeatedly coating your ivory with ink to see where you’ve been, wipe it off immediately – don’t let it dry and then burnish it off.  Better yet, use a little bit of oil paint: it stays liquid longer and doesn’t dry to a hard finish for at least a week.

 

Adding water to the tailNow we come to decision time:  Do you want to add the water dripping off the back of the fluke, even if you can’t draw?  You can make “V” shapes and “\ /” shapes (open bottomed V’s), right?  Using a very soft lead pencil or colored pencil (as long as it’s soft lead), you can draw the water flowing off the tail of the whale by making these shapes across the bottom of the tail, varying the width between them.  Don’t worry, if you don’t like it, you can just wipe it off and start again.  Once the open V’s are drawn on, you can close them by adding a “U” to the bottom of them, making them bulge slightly in the middle, and adding a drop or two shaped like the letter “o” below them.  Use a pencil and see what you come up with either on your scrimshaw or on a separate piece of paper.
water action on the tail

This concludes the excerpts from Scrimshaw? But I Can’t Draw! Volume 1 – A Beginner’s Guide

Scrimspirations, easy to use templates are available through Etsy.com, including “Tall Ships and Sea Life”, “Mermaids and Monsters” and the popular “Scrimspirations, Book 1”.

For more images, try The Scrimshander’s Secret Scrapbook of Whaling Era Images available from Lulu.com!  If you’re looking for materials to scribe, go to our scrimshaw products page.

Mystery Artist #3 – initials MWB Found!  Thanks for writing, Mary

Mystery Artist #3 – initials MWB Found! Thanks for writing, Mary



Portrait of Woman, Art Nouveau styleFrom Jenae – We don’t know much about “MWB” – they created this beautiful art nouveau jewelry in 1989, and that it appears to be held in a sterling silver frame.  Another beautiful piece, the owner would appreciate any information about the artist anyone may have.  Thanks!  Read the comment below to find out more!

Scrimshaw Mystery Artist # 4 – Tree Motif, West Coast

Scrimshaw Mystery Artist # 4 – Tree Motif, West Coast



I went slack jawed when I saw this (and that’s not my usual response to a piece of scrimshaw!) – this beautiful piece was purchased in Tonopa Nevada at a liquor store between 1977-1980. The seller had said the piece originated in Alaska.

The bracelet appears to be sterling silver with the initials AL PL EE 60 on the back.  I’ll see if the owner can get a clear picture of the initials as well.  The owner is looking for any history or information about the artist.  Do you have any information on the artist?  We’d love to hear from you!  Simply add a comment below if you have any information that can you feel can help.

Scrimshaw Mystery – Artist Known!

Scrimshaw Mystery – Artist Known!



Scrimshaw of a ship in full sail in a bottleWe know the artist who created this piece – we just wonder if you know how he did it!  Charles Long is an artist with a sense of humor, to be sure.  Somehow, he got this scrimshaw into a bottle, and no – we’re not talking scrimshaw beer!  Guess if you can, and we’ll let you know in a month or two how he managed this imaginative piece of artwork.

Mystery Artist – P. Hayde (not Hoyte as previously written)  Contacted us!

Mystery Artist – P. Hayde (not Hoyte as previously written) Contacted us!



walrus scrimshaw by P. Hayde EaglesLost a lot of info on the last change-over, so I’m rebuilding from scratch instead of shifting to the old site, then backing up, then shifting to the new site, restoring and then trying to rebuild with the better interface.  That being said, P. Hoyte is a scrimshaw artist we don’t know much about, other than the name – which is more than we usually get (we usually only have initials or even less).  There is another pic of more of his work that I’ll try to put up here too, but currently I’m pressed for time putting up as much as I can while carrying on in the analog world.  More to follow, will update this link.

Scrimshaw on whale tooth by Philip Hoyte depicting a skiff with whalers and a sperm whale breaching the water beside them. Glen G. sent us this picture of another piece by Philip Hayde, which is a whale breaching the water near a skiff of whalers.

We would appreciate any information on this artist, especially if you know where he was from (east coast, west coast), any other examples of his work.