Casein – The “New” Old Plastic for Scrimshaw

Casein Rod by John BerkelyWe’ve been testing a “new” old ivory alternative called “casein”.

This is a plastic made from milk.  You’ll find many DIY articles on the net and usually people say “meh.” when they’re finally done, but this was a common alternative at the turn of the last century through about the 1970’s in western Europe. We were able to get a couple of samples from “across the pond” and it’s quite interesting.  Extremely dense, polishes beautifully and doesn’t “crater” like typical plastics. We got our samples as rods, mostly used to cut buttons or to turn on a lathe, and went about cutting medallions. It took a long time to cut through it, and the dust is awful – it stays airborne a long time and due to the way it’s made, you’ll definitely want to upgrade your dust masks. Plain casein plastic is made from milk as stated.  In order to make it resilient casein is subjected to a formaldehyde bath for up to one year depending on the thickness where the formaldehyde molecules bind with the casein making it harder and more resilient.

The casein is  finally rinsed and dried, most of the harmful chemical leaving the end product by off-gassing and repeated rinsing. Ford at one point had experimented making a “plastic car” substituting casein based plastics with soybean and hemp based plastics (see “Henry’s Hobbies“, pg 283).

By the looks of http://pubs.acs.org/doi/abs/10.1021/ie50459a024 the amount of formaldehyde would be negligible for normal handling, but there are no MSDS for this material available that we’ve been able to find, so it is far better to be safe than sorry.

They still make casein plastic knitting needles, and it’s supposed to be some of the finest knitting needles available.

casein medallion cut too thin warps over time.
If you cut casein too thin, it can warp over time. 3/16″ seems fine.

Instead of formaldehyde, companies are creating casein plastic successfully using “glyceraldehyde” which is not considered harmful by OSHA (see http://datasheets.scbt.com/sc-300881.pdf).

We’re probably not going to see this material processed either by formaldehyde or glyceraldehyde any time soon because it can take up to one year for it to be ready, but our source for the casein we’ve been working with is listed at the end.

As stated, casein itself only takes a day or so to make and dry, but it does have to soak for a long time in the fluid for it to permeate completely.  Any DIY’ers out there may be able to make a small side business offering cabachons or possibly knife scales provided the total thickness is less than 1/2″  If you look around etsy you can see a lot of vintage casein buttons as well as other useful items that were once made from this material (see Instructibles for the one of many articles on creating your own plastic).

We’ve also come across an “alternative casein” available for turning and possibly for scrimshaw but we haven’t purchased any yet, and are unsure what the “alternative” is: whether it’s an acrylic or polyester made to look like casein or if it’s a “green” casein made from glyceraldehyde. It’s available from “Exotic Blanks” .

 

Owl on casein in progressSo how well does it scrim? It works great for both line scribing and for stippling. The only problem we found with our samples were small air holes in the faces we’d cut.  These would vary from few to numerous, most of them very small and could be incorporated into the scrimshaw design or a “squirt and fill” may also work using a cyanoacrylate glue (crazy glue) and some of the powder from cutting which is a popular way to fill voids in other materials. We found our best piece and scrimmed an owl which you can see in progress.  We followed tried coloring the back of the template and piercing the paper once it was secured and it worked quite well.

Owl on casein medallion in progressMost of the owl is done in the stipple technique, though we tried a few lines going “dot-to-dot” on the upper right hand side of the owl’s head.  Very little cratering, and the material holds both ink and aquarelle black pencil well.

 

We’d like to find this material in sheet form at 3/16″ thickness, and if you come across a supplier, please let us know.

Owl on Casein - finished

 

voids shown in some casein medallions
Some typical pitting or voids found when casein rod is cut into medallions

Casein in rod form is available from http://www.johnberkeley.biz/page15.html


Further reading on Casein Formaldehyde: Green Plastics: An Introduction to the New Science of Biodegradable Plastics 

Scrimshaw on Sale: Mammoth Ivory Ship Temporary Price Drop

Jason R. Webb's "Whaling Bark" Scrimshaw on ancient mammoth ivoryScrimshaw on sale: One of Jason R. Webb’s premier works of art is taking a temporary price drop!

Jason’s “Whaling Bark”, a scrimshaw of the C.W. Morgan was entered in the 2013 International Scrimshaw Competition and stood up well against some incredible competition.  

Jason’s style is unique in the world of scrimshaw.  Using both scribe lines and stipple, Jason is able to create the subtle texture of the canvas on the sails and the texture of the wood of the ship, along with an excellent frothing sea that fades gracefully toward the bottom yet still reflects the mast. Using sweeping scribe lines the sails billow and the salt water splashes against the side of the ship. Taking four months to complete, this is one of his first ships on rare mammoth ivory. Standing five inches tall (12.7cm) it is mounted on a rich dark wood base.  The back of the piece is signed and dated by the artist.

Jason’s original private sale price was $1500, but he is putting his scrimshaw on sale for $999 to help defray costs of his move to a larger place so he and his new family will have room to grow.  This magnificent piece is on ancient mammoth ivory as evidenced by the Schreger lines on the base, and is legal for sale worldwide.

Once Jason has moved, this piece will likely return to the original price, so act fast. Contact Jason at jasonwguitar@gmail.com

See this one of a kind piece from start to finish: “Whaling Bark”

Buffalo Scrimshaw on Paper Micarta

 

 

 

Paper Micarta

Paper micarta - scrimshaw buffalo on slab, on top of thick cut paper micarta sheetPaper micarta is a composite material made from layers of paper and thermosetting plastic. There are other micartas as well, such as linen micarta and canvas micarta where they mix layers of linen or canvas. These materials are great for knife handles but interferes with scrimshaw since the materials are so thick, and they will wick the pigments. Another micarta like material uses fiberglass (called G10). It is extremely dense and stiff, unlike the Alternative ivory posted in a previous article.

Some people create their own micarta from old denim or paper and epoxy, pressing the materials under as much pressure as they can until dry, then cutting away any excess. This can be a messy and time consuming endeavor (see http://www.instructables.com/id/How-to-make-homemade-micarta/).

Paper micarta is mainly available as ivory, white or black. If you want to create an unique design, you may want to create a deep blue paper micarta and use a white pigment. This is in my bucket list, about the 17th in the line, behind the rest of the overflowing buckets…

Cutting paper micarta requires extremely sharp blades. Another thing you must use is a respirator rated for formaldihyde! This stuff smells terrible, and good ventilation is required as well. Cutting slow, especially with fretsaw blades will allow you to cut intricate patterns in just about any shape.  Read through the Material Safety Data Sheet (MSDS) so you know what you are working with. see: http://www.tmxaerospace.com/wcm/idc/groups/internet/documents/web_content/mdaw/mdi5/~edisp/dw022352.pdf for an example, and request a MSDS when you buy.

Paper micarta sands easily, files work well also. Once cut, shaped and wiped clean, paper micarta can be coated with a couple of coats of wood hardener from Minwax, though for this tutorial we’re trying renaissance wax. Polishing up to 3000 grit is highly recommended also (note: if you’re sealing the micarta with minwax wood hardener, polish it with 3000 grit after it has dried; if using renaissance wax, polish it before, apply the wax, then wipe away the excess renaissance wax with a soft cloth).

Most modern paper micarta is of high quality, though if the material is going to be used on a knife handle that will be getting wet, we’d definitely recommend sealing it.

Stipple and scratch, with callout where paper filaments have pulled awayPaper micarta has a similar hardness to ivory, though we have found that it can stain slightly when using pigments due to its texture. We used a stipple technique on the bison using a Coulter scrimshaw scribe and found the material makes slight craters, not unlike softer mammoth ivory [photo]. It takes fine stippling well, and you can create dark areas with little difficulty.

When it comes to scribing, paper micarta comes up short. The filaments of the paper will pull out making the edges of the lines slightly blurry. Clicking on the picture will bring up a larger image.

A very sharp stippling tool works best with paper micarta. If you are doing bolder lines and wish to scribe we’d recommend trying an X-acto type blade that is stropped so it will cut through the paper filaments instead of pulling them out, though we have not worked with this blade personally.

You can find paper micarta at Masecraft Supply in sheets, blocks and rods, as well as many of the knifemaker’s supply houses like USAKnifemaker, Texas Knife Supply, etc.

A good alternative to ivory, especially when it comes to stipple technique. Paper micarta can replace ivory as well as horn for knife handles as well as jewelry pieces. Similar hardness to ivory, it’s only drawback is when it comes to scribing technique where the paper filaments tend to pull and create fuzzy lines instead of clean lines. Takes ink well, oil paint also works – we applied it and immediately wiped it off with no staining if the surface was polished smooth.

Below is a series of pics of a scrimshaw in progress of a buffalo on paper micarta.  We’re using the stipple technique to keep the image sharp.

buffalo template from "scrimspirations Book 1"
Paper micarta under the second buffalo, the back of the paper is scribbled with a china marker to make the stipple dots show up easier
Paper lifted up once the stippling was completed. Lit from behind.
Paper lifted up once the stippling was completed. Lit from behind.
Stippled buffalo on paper micarta.
Stippled buffalo on paper micarta.
Buffalo template from "Scrimspirations Book 1". Photo Credit:USFWS with the piece of paper micarta on top.
Buffalo template from “Scrimspirations Book 1”. Photo Credit:USFWS
Stippling of the Buffalo in progres on paper micarta.  Hind portion outline stippling completed, front portion not finished.
Stippling of the Buffalo in progress (okay, technically an American Bison).
Penny to the left, Bison scrimshaw on paper micarta to the right.
Scrimshaw of Bison (in progress) with penny shown for scale. Looks like President Lincoln is sweating a little…
Light angle shows the slight "cratering" from the stippling technique.Light and close stippling on the "beard" shows far less cratering.
Light angle shows the slight “cratering” from the stippling technique.Light and close stippling on the “beard” shows far less cratering.
Buffalo scrimshaw on paper micarta in progress
Playing with textures on the buffalo. Started with stipple, but the tufts presented a challenge for technique and patience.
Finished Buffalo on Micarta next to quarter on left
Finished, except for replacing the gold loop with silver (when they arrive) and signing the back. Cutting a finished piece out of a rough is not for the faint of heart – or the impatient!

Angling Your Ivory

 

Alternative ivory propped up on a pen and held in place with a piece of masking tape with the sticky side out. The angle reflects the polished surface into the low power microscope's aperature
A 30 degree angle is sufficient to reflect the light (an LED bulb) into the aperature of the low-power microscope. The loose loop of masking tape holds the pen inside and props it up just right.

A free-arm microscope and a Brady Block are two tools I’d love to incorporate into my scrimshaw tool set (along with my very own studio), but cost prohibits me from adding these at the moment.  As related in a previous post, the Brady block allows you to turn and angle your material quickly and easily, and a free arm microscope gives you the room to put it underneath. As I’m working with a low-power inspection microscope, my area is limited, as is the angle of the light to the material.

Using a small loose roll of masking tape and a pen, I can angle the material its polished surface reflects my light source, making the scribe lines and stipples much easier to see.

  1. Make a small roll of masking tape with the sticky side out slightly larger than your finger,
  2. Place a pen inside and place it on your microscope table or work surface,
  3. Set your work so you can see it through the microscope and angle it so you see the light source reflected on the material’s surface.

Jason Webb’s photos of his works in progress shows this contrast well. This should also work for anyone using an optivisor.  Another option is to stick your material onto a small hard surface and place a bean bag underneath to prop it up.

Jason Webb's scrimshaw in progress showing the contrast between the reflected light and the scribed lines
Jason’s ship on mammoth ivory showing his light reflected in the polished surface and the scribed lines. Clicking on the image will bring it up to full size.
Posted in FYI

Project: Fox in the Snow – Scrimshaw on Alternative Ivory

Along with testing alternative materials, I get to create pieces of art and refine my techniques. With Alternative Ivory, I’ve been working on a “Fox in the Snow” – a picture by Rob Lee on Flickr.com. This post will be updated and edited as I find interesting information and will pass along any tips and techniques as well.

As stated in the newsletter we found that coating the back of the image to be transferred with an aquarelle pencil then taping the piece to the back of the paper and using the “dot-to-dot” technique on the front pressed the pigment into the material without having to press hard enough to completely pierce the paper. This created smaller dots that were easily seen with magnification but could be ignored during the scrimshaw process and would not detract from the final image.

This is one of the few “furry” scrimshaw pieces I’ve done, mostly working with the more traditional ships and waves, lighthouses and flowers with the occasional loon done on commission. I’m a great fan of Katherine Plumer, who can capture dogs, cats, bears – you name it with such realism that I am in constant awe.  She created a piece with a dog and showed the progression, saving the eyes for last. I’ve got the eyes of the fox “sketched” in where I think they need to be but I’m also saving them for last. “Romeo” in progress, and “Romeo” finished shows a level of artistry and technique I hope to attain (it’s in my bucket list).

So, here’s the progress so far:

Picture of the fox printed on paper with the underside scribbled over with an aquarelle pencil, the alt ivory taped to the bottom with green masking tape.
The paper is on top, the back has been scribbled on with an aquarelle pencil. The alternative ivory is the next layer, then the tape. Picture taken with light behind the paper.
After removing the paper from the alternative ivory that had the underside coated by scribbleing with an aquarelle pencil, the dots are easily visible and not as deep.
After creating the “stipple dots” with the pigment underneath, the dots are easily seen and the dots are much smaller.

 

Fox scrimshaw on alternative ivory - photo by Rob Lee on Flickr.com
It’s cold in the snow, so I went ahead and put his boots on…
scrimshaw of a fox in the snow on alternative ivory in progress as of 2014-05-31
Filled in the darker fur and some of the ear details.
Fox in the snow in progress 2014-06-01
2014-06-01 Added the eyes and more detail, looked at the pic and realized it needs more shading