Oso-Famoso – Scrimshaw from the Masters

Oso-Famoso – Scrimshaw from the Masters

 

Scrimshaw goldfish by Jesus Arich, shared by OsoFamoso.com
Photo by Rob Johnson, shared by OsoFamoso.com

Oso Famoso is a name many older “scrimshaw geeks” may remember, as he was one of the first to show and sell scrimshaw and fossil ivory online.  I especially remember the goldfish by Jesus Areck, and seeing the raw mammoth ivory so close yet financially out of reach for me at the time.  I’d frequent his site and pause for up to an hour just to look at the fine artwork he had there.  “I had started being a supplier of fossil ivories and scrimshaw artist’s representative in the early 1970’s. I would spend some weeks every summer on St. Lawrence Island, Alaska getting fossilized walrus ivory from the Yupik natives. I would provide material and money for various artists, mostly in Bellingham, Wa. and they would give me back what was generally excellent work.

Alaskan Native holding a ceremonial mask by Terry Nelson. Photo by Rod Johnson
Alaskan Native by Terry Nelson. Photo by Rod Johnson

“My mountings were mostly produced by Ken Fredericks of Bellingham, who is now deceased. I haven’t been active in commissioning scrimshaw in a number of years. …”

Oso: “Whatever is legally able to be sold is available for new ownership, and on the market. I am not seeking any business that violates existing law.” So – California, New York and New Jersey sales are definitely out, and you will need to check your local state laws to see if it’s legal to purchase any of these beautiful pieces.

“None of these pieces have been recently made. The artists include Chris Lehwalder, Gary Dorning, Heidi Robichaud, Jesus Arick, Kevin Pettelle, Kurt Sperry, Susan Ford, Scott Halligan, Scott Judge, Terry Nelson. The great majority of these pieces use mammoth ivory or fossil walrus ivory.”  Some of the pieces may not be available at the time of this publication since they will be sold, others may not be obtainable due to specific state restrictions.

I’ve got some small pics below the fold. Contact Oso for larger pics that really do the pieces justice

Anyone interested in acquiring any of these one-of-a-kind pieces may contact Oso at oso@osofamoso.com

Alibaba’s Bone – Review of Ox Bone for Scrimshaw

(This article originally appeared in the April 4, 2015 edition of the newsletter)

Raw bone scale from Alibaba.com
Raw bone from Alibaba.com

While our dog is a bit upset he wasn’t able to participate in this article, he (and I) really needs more walks and less calories after our incredibly long winter and will get over it.

The easiest place to acquire bone was shared by one of our readers – they go to the big box store for pets and walk down the aisle until they see the nicely cleaned and bleached bones for dogs, picks one up and then goes about cutting, polishing and scrimming it. Smart! Most of the work I’m about to write about is done for you.

The second easiest way is to buy a soup bone from your local grocer or butcher. You can get stew or soup bones in various sizes but for scrimshaw you will want the one that flairs out at one end since this area is not only thicker but also has less voids where capillaries once ran.

After simmering the bone for about an hour and letting it cool, hand it to your four-legged friend to clean the meat out of it and move on to other things.  If they haven’t faithfully buried it, the bone should be stripped of most of the meat. Rinse and rewash it, or run it through the dishwasher for a few cycles* .

If you’re going to be gluing this onto or into wood, degreasing the bone is essential. There are two schools of thought when it comes to degreasing: BLTC and natural. BLTC (better living through chemistry) has you soak the bone in white gas or acetone (both flammable, use glass or metal containers and follow safety guidelines and common sense). The natural method is to soak them in a 50/50 mixture of hydrogen peroxide (topical 3%, not the hair bleach type) as noted in “Bonelust: Bad Words: Boil and Bleach“.  The third way is to let them sit in the sun and the rain to the oils work out naturally, though this can take several months.

After reading this I wonder if the ox bones I’ve received from Alibaba have been degreased? I’ll be dropping the rest of the lot in a 50/50 mix of H202 just to be sure.

The third way, which we’re finally getting to is to purchase the bone as knife scales.  You can get these from Alibaba.com as I have, through Texas Knife Supply,
Amazon, etc.

Same bone scale after polishing.
“Alibaba’s Bone” after polishing

We started with the rough-cut bone, sanding and polishing it to 4000 grit, then coating it with Renaissance Wax and setting it aside for a week.  Two days is usually a sufficient rest period for sealing. You can also use beeswax, coating and buffing it into the bone. As you can see here there are micro-fine occlusions where capillaries were. When we polished the bone they became more apparent.  I’m curious if stabilized bone has the same qualities.

Marking the bone with various pigments including aquarelle pencil, India Ink and oil paint, I set it to dry for about 30 minutes.

Various pigments applied to bone scale to test for staining
Alibaba’s bone with various pigments.
All of the pigment wiped away with a damp cloth except where there were voids in the bone
After wiping off the pigment with a damp cloth, only the occlusions remain

 

Initially wiping off the bone left some of the India ink, but using a moist towel wiped the rest off easily.

 

 

 

Scrimming:

Preliminary lighthouse drawing on bone scale
Preliminary drawing with Aquarelle pencil

Falling short of my goal to do a lighthouse per day, I have improved with the six I’ve managed to sketch, and the one on the bone I’ll count as my seventh (the whole family got sick one after another, and my dog quickly became jealous of the bucket that was my best friend for a couple of days). The aquarelle pencil marks the bone easily.

 

Lighthouse scrimmed into bone and stained with India ink
Initial scrimshaw of lighthouse

Using the tungsten scrimshaw bit from Coulter Tool the scrimming went easily. Coating the lines with India ink, I took a slurp of coffee and wiped it away, then used a dampened cloth to wipe away the excess. Most of the ink wiped away thanks to my impatience.  Next time I’ll ink it, walk the dog so it’s nice and dry, then wipe it away.

 

After adding more detail I switched over to oil paint to see if it would stand out better but it yielded similar results.

Having started on ivory, any occlusions like those in bone and tagua nut stand out to my eyes, though I’m starting to like the texture of the bone more now, kind of like moving from painting on smooth paper to canvas.

Second Scrim
After adding some detail, it was time to finish the article.

 

As the bone is too thick at the moment to just cut into cabochons, a cross-cut on the subsequent pieces will need to be performed as well as more sanding and shaping.  The material would be excellent for luthiers wanting to make nuts and other parts for their stringed instruments, and would do well for smaller knife handles, also.

 

Perennial Scrimshaw Requests

37450005There are many things you can scrimshaw that your customers would cherish but the three perennial patterns in the world of scrimshaw: the ship, the lighthouse and the whale will be asked for again and again. For some like me, the lighthouse can be the greatest challenge with it’s symmetry and straight lines, while others find the clouds or the ocean with it’s many moods the most daunting. Still others find themselves caught up in the rigging like a shanghaied landlubber, overwhelmed by the many tenuous supports that keep the masts and sails aloft. Inevitably a request will come for your most challenging subject, so what can you do?

tall-ships-2-22-07_1 Practice, practice, practice. Not obsessively, but consistently – a drawing or a sketch every day – even a doodle-a-day, then move on to other things.  By incorporating this into your day you will be creating a small habit, a commitment to taking the time, how ever short to practicing and enhancing your art. I’m reticent to say “perfect” since that is not achievable as my inner critic is always quick to point out, but you also never reach the sun when you walk to the sunset.

 

FinYour subconscious will pick up subtle nuances and techniques that will allow you to master your subject if you keep at it and find at least one good point in every sketch you make. Keep them in a scrapbook if you can, not to look at this week or this month, but perhaps next month over a morning coffee to see how you’ve progressed. You will be surprised I’m sure at the difference five or more weeks of small consistent efforts will make.

I’m setting aside fifteen minutes to draw one lighthouse per day for the next thirty days. By day 15 I’ll be cursing the small landlocked lighthouse I see on my way to work and by day 30 I’m sure I’ll be rejoicing in triumph, choosing another subject several times during this small challenge.

 

(Along with the great images from the talented photographers above, I’m including this link to an excellent book about habits. I’d listened to it via Audible and it helped me understand habits to the point where I could “break” a couple of persistent ones. I’m going through it again to now instill some better habits like the one above.  It’s not so much a “how to” book but a history of habits and many of their disasterous shortcomings. Worth the read/listen.  You can find it at your local library or pick it up on Amazon or Audible)

Canadian Scrimshaw Artist Wanted

We just received an inquiry about an interesting project for a scrimshaw artist in or around Nova Scotia:

“… Hi,

I live in Nova Scotia (Canada) and am looking for a scrimshander who can do a traditional 19th century monogram on top of an old wooden pocket watch box. (There’s a small ivory plate in the middle of the top cover that was intended for just such a monogram.)

It’s a very small job, but I’d like it to be completely in keeping with the style of the pocket watch box, which was made in the mid-1800’s. I’d like to get it just right.

Can you recommend someone close by us? If there’s no one here in Eastern Canada, we do often travel down to Maine and Massachusetts.

Thanks for your help!

Catherine

Interested scrimshanders should contact Catherine at catherine.mckinnon[at]gmail.com, replacing the [at] with the proper @ (writing it this way helps keep spam out of Catherine’s mailbox).

Lighthouses, Ghosts and Selling Scrimshaw

Point of Ayr Lighthouse, Wales
Photo Credit: Lukasz Lukomski, cc-sa-3.0

“A scrimshaw without a story is just scratches on bones.” – Saul T.; Sailor

 

Okay, I made that up, though if you think about it awhile you’ll find it’s basically true. Visiting an old whaling town and walking the decks of the Charles W. Morgan and learning her story, most people would be compelled to pick up a memento of their vacation. Memories of a trip to the cape with a loved one could be revisited with the bracelet or the key fob.

While most of us don’t live in Mystic seaport or on Cape Cod, if we’re creating scrimshaw to sell at a craft fair or on line, a memorable story about the subject of your work is far more interesting than “I saw a picture of a ship and I scrimshawed it.”

A story for every piece would be next to impossible for most of us, especially if you’re selling multiple pieces such as jewelry, but for some of the larger pieces a story can be compelling and may bring you more sales, giving you something to talk about. With jewelry, many pieces should be without a story – so people can make their own. Scrimshaw of a twelve point buck will illicit hunting stories, a modern ship or boat the stories of that time on that shore when that thing happened, a rose the love interest or the lover who presented it, or perhaps the silent look into the distance, hopefully with a slight smile.

I’d come across a picture of a lighthouse on the Point of Ayr in Wales. The first article was of the hauntings and got me intrigued. The pics were clear and great for creating some scrimshaw from. The next article described a couple who had come there on their 50th wedding anniversary and asked the person who was painting it to take their picture, as this was where they had their first kiss. Ah, memories.

Scrimshaw based on the Talacre lighthouse.I based my scrimshaw on this picture, adding a ship in the background and a seagull, leaving the rocky outcroppings aside. After I’d finished it, I looked back at the pictures I’d seen and found there was one I liked a little more than the first, so I’ll probably scrimshaw the second view shortly. The first one was head-on, the second you can see the stairway a bit better and I find it more interesting, and I’ll also review the stories and find a few others so my mind and my mood are on the subject.